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Dulquer Salmaan, who plays four distinct characters, has also showcased a worthy performance. A lot of the film is visually rich and compelling, sometimes even distracting you away from the flaws through lovely colours and combinations. For instance, in the World of Shekhar, the element of water is beautifully incorporated in many shots, through water dancing, rain and even the mere splashing around in a pool that add to the overall beauty of the frames. The team deserves credit for trying a handful of novelties in presentation, corresponding to the various elements the stories stand for. Mostly set in urban spaces, each of the worlds has their own set of strengths and fallacies as well. However, what connect them are the elements of lost love and the indignation thereafter. All of them differ in their personalities. Solo has four segments – the worlds of a college student named Shekhar, Trilok, a doctor gangster Siva and army man Rudra. The stories are connected to different demeanours of Siva too, in spirit and framework. Solo puts together four such tales, which can take many on flashback rides through the ragged emotions, stupidity, dreams, turmoil and melodrama of young romance, in the backdrop of some insistent music. But, narrate any love story and many of them would have milestones and moments that most people can instantly connect with, despite sounding clichéd. Solo Review: Strange can be the ways of love. Through four elements - water, air, fire and earth, they also represent different facets of Lord Siva. Solo Story: An experimental romantic thriller, Solo is the story of four different men, their love, rage and afterlife.